BERLIOZ'S SYMPHONIE FANTASTIQUE: ENRICHING PSYCHOANALYTIC VIEWS OF CREATIVITY
Identifieur interne : 000084 ( Main/Exploration ); précédent : 000083; suivant : 000085BERLIOZ'S SYMPHONIE FANTASTIQUE: ENRICHING PSYCHOANALYTIC VIEWS OF CREATIVITY
Auteurs : Daniel S. Mollod [États-Unis]Source :
- The Psychoanalytic Quarterly [ 0033-2828 ] ; 2008-04.
English descriptors
- Teeft :
- Actress harriet smithson, Aesthetic illusion, Affective, Affective resonance, Amer, Artistic creation, Artistic production, Artwork, Basic fault, Berlioz, Black philosophy, Cadence, Cairn, Cambridge companion, Cambridge univ, Cause death, Character pathology, Creative process, Deepest layer, Dover publications, English horn, Estelle, Estelle fornier, Extraordinary visions, Fantastique, Fifth movement, Final cadences, Final movement, First movement, Fixe, Fixe theme, Fourth movement, French composer hector berlioz, General audience, Great artists, Harriet smithson, Hector, Hector berlioz, Horrible spirits, Inner life, Insane anxiety, Internal object representations, Joyous elation, Louis berlioz, Memoir, Mollod, Music criticism, Musical fantasy, Musical form, Musical imagery, Musical structure, Narcissistic, Narcissistic injury, Narcotic dose, Nervous condition, Painful fluctuation, Paternal, Paternal influences, Preparatory chords, Primal scene, Psychoanal, Psychoanalytic explorations, Psychoanalytic meanings, Psychological themes, Psychotic artist, Public execution, Reception history, Recognizable cause, Sabbath, Sensitive nature, Sick brain, Significant narcissistic pathology, Smithson, Soft whisperings, Somber longings, Study child, Successful artwork, Symphonie, Symphonie fantastique, Thematic material, Third movement, Transitional phenomena, Unconscious elements, Univ, Vivid imagination, Young musician.
Abstract
Focusing on the eighteenth‐century French composer Hector Berlioz as he is revealed in his masterpiece Symphonie Fantastique and in his Memoirs, this paper investigates a proposed intermediate area between healthy creativity and paralyzing neurosis. Artists like Berlioz use their work primarily to manage what has been variously labeled as Seelenschmerz, narcissistic injury, and painful fluctuation of internal object representations. Their affectively unprocessed experiences are incorporated into their artwork, so that their heightened experience of Seelenschmerz has particular effects on their audience. Our consideration of these dynamics allows Berlioz's Symphonie Fantastique to regain the truly harrowing impact that it evoked before it became assimilated as a tamed icon of Romantic‐era expressiveness.
Url:
DOI: 10.1002/j.2167-4086.2008.tb00347.x
Affiliations:
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Artists like Berlioz use their work primarily to manage what has been variously labeled as Seelenschmerz, narcissistic injury, and painful fluctuation of internal object representations. Their affectively unprocessed experiences are incorporated into their artwork, so that their heightened experience of Seelenschmerz has particular effects on their audience. Our consideration of these dynamics allows Berlioz's Symphonie Fantastique to regain the truly harrowing impact that it evoked before it became assimilated as a tamed icon of Romantic‐era expressiveness.</div></front></TEI><affiliations><list><country><li>États-Unis</li></country></list><tree><country name="États-Unis"><noRegion><name sortKey="Mollod, Daniel S" sort="Mollod, Daniel S" uniqKey="Mollod D" first="Daniel S." last="Mollod">Daniel S. Mollod</name></noRegion></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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